Ugly Betty has catapulted from Friday night prime-time exile to the top of the heap – right after ABC’s clever and well- written Modern Family and the popular-yet-depressing-to-me Cougartown.
I work in fashion, live in New York City and have long hung out with gay guys, so Ugly Betty has been a guilty pleasure for me since it debuted. Last week’s episode followed up on the preceding week’s pregnancy scare. As it turns out, Hilda, the wise (cracking) Latina character is pregnant with her second illegitimate child. The first came to her in high school, the result of her relationship with the local Queens version of Rebel Without a Cause.
Hijinks and hilarity ensue as Hilda figures out what to do and how to hide the pregnancy from her father. Of course, the truth comes out in a shocking way to all involved, including the baby daddy, an archetype of a grown-up teen bad boy. He runs from the truth, leaving Hilda stranded and alone in her struggle.
Near the end of the most recent episode, the adult rebel who has fathered Hilda’s second child “finally” comes around and as the camera zooms in on his sexy face and leather jacket, he tells Hilda that he will be involved as much or as little as she wants him to be. He will be there. Or he won’t. It’s up to her.
Wow. Romantic. What a guy. What a culture. Welcome to 2010, the age of the Baby Daddy, where real dads are optional. Is this what it means to be an American woman who has it all? Is this the end game of free love, bra burning and title IX?
As I sat there, wondering what could be so bad about marriage and raising children with a full time dad, I realized that most movie and television illegitimate –child plot lines always choose life. Although the plot lines often choose non-traditional family roles immediately thereafter, the most popular being the strong, single woman making it on her own for herself and her child. The movie Precious, television shows Friends, Ugly Betty and Confessions of an American Teen have all depicted women keeping their babies and forging ahead as best they can.
And while it is heartening to know that abortion does not a good plot make, what Hollywood has done may be worse than the occasional prime time back alley plot line. They have glamorized illegitimate children and downplayed the importance of family. The whole concept of a relationship and its ensuing responsibility has been marginalized, even if unplanned children have not.
When did it become ok to be a Baby Daddy and not a Father? I know several women in my professional life who are in long term, live- in relationships and now have children with these men, yet, remain unmarried. They think it’s a hoot to call their boyfriends, “my baby daddy.” What does that mean? And why are men willing to be downgraded in importance?
Baby Daddy implies the man does not have to be there for the child and is only a supporting role to the mother. Why would a man settle for this? Sex in the City, a show that often marginalized men, had a surprisingly conservative and traditional view of parenthood and the single girl.
Miranda, accidentally impregnated by Steve, her ex-boyfriend, assures Steve that he doesn’t have to do anything. That she’ll take care of it all. No need for him to bother. Steve then becomes the manliest man in recent pop culture history by taking offense to her plans. No. He wants the child. He wants to be a father. In fact, eventually Miranda and Steve get married and move to Brooklyn to live happily ever after.
Fictional stories one and all, yes. But we shouldn’t discount the effect they have on popular culture and how they can desensitize us to certain behaviors and morals or lack thereof. When it comes to the portrayal of Baby Daddies, it doesn’t matter if life is imitating art or art imitating life. This is one plot line we should strive to avoid.
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